From METAL MAGAZINE written by Billy Burrell

"Tanaka’s direction transforms this sonic disfigurement into cinema: slow, sun-bleached, and unsettling. Shot in a stark desert-like terrain, the video offers few answers and even fewer movements. Figures appear in the sand like mirages — masked, still, nearly statues. Time stretches. Narrative disintegrates. The visual palette is sparse but loaded with tension, drawing clear influence from Hiroshi Teshigahara’s Woman in the Dunes (1964) while stripping away any traces of resolution. The result is not just a music video, but a phantom projection, a terrain of dream-logic and dread. "